a blast from the past

Untitled © 1999, revision © 2007 Dawnne Gee this blast from the past was originally contrived very early one morning, ten days before #1 Daughter was born. it was, unfortunately, done at the resolution presented, because i was just goofing around, and as luck had it, i was never able to come back and replicate it at higher resolution. okay, “never was”. pfft. never did.

i’ve called this various things over the years, but i’ve never really applied a full name to it. it was created in MetaCreations Painter 7 (now Corel Painter X) using various Kai’s Power Tools plugins. it’s been a long time since i sat down to do nothing but art.

when i stumbled upon this tonight, i was struck by the lack of contrast, so i spent a few minutes tweaking it heavily, and when i was done, i had something pleasantly different than the original. so, here it is.

yet another fine swing-and-a-miss by yours truly

bah.

a truly anomalous event occurred here over the past couple of days. the snow was not unique, but the snow-without-wind most certainly was. usually, the wind is blowing strong enough when we get snow that i rarely have to shovel off the back porch and only parts of the driveway. but this time, we had a nice, gentle blanket of snow on everything. one might even say it was quite picturesque.

but did i manage to haul my stupid ass outside with a camera and take pictures of it before the wind started picking up early this morning?

hell, no.

did i even manage to have a camera in the car this morning, when the clear sky and the early-morning frozen fog would have been so picturesque, even with the slight wind clearing the snow off the evergreens, fences, other other surfaces.

no, i’m apparently WAY too intelligent for that. gah.

so, in potential partial recompense for my stupidity, here are a couple of things:

Thing 1: guess who has the cover of this month’s issue of Toy Trucker Magazine? The cover story is on the collection of Paul Westhoff, who is a friend and the owner of Hard Tops of Sioux Falls. I do their business cards, too. Look ‘em up and call ‘em and ask ‘em why they don’t have a website of their own! (i kid, i kid…)

Thing 2: ~from our recent trip up to Big Stone Lake for Thanksgiving. i have several plans for this photo, so this is kind of a sneak preview of an original that will probably never be released itself. in the background, you can see the point of land which is the subject of Big Stone Autumn. several of the trees back there were severely damaged by an ice storm last winter, so my plan to do a seasonal round of that point from the same vantage point were made moot. which was kind of okay, because the marks i made for the tripod didn’t last….and my father-in-law’s dock is a seasonal thing anyway. it’s not like it goes into the lake at literally/exactly the same place each year. so, i’ll be picking another place, or places, along the shore for that endeavor.

which reminds me. i need a sugar-daddy to buy me a GPS that’ll work with the cameras. i’m WAY too cheap to buy one myself, you know….

jdg_20071124_13703x4pvw.jpg

Hey, looky! I finally did something!

Prairie Sunset © 2007 Dawnne Gee i took this photo late saturday evening on November 24th of this year, after three days of hunting with my brothers-in-law. the orange is so intense because of a) a recently-harvested corn field was being burned (it’s a method of putting nutrients straight back into the soil), and b) a cross-process filter which also deepened the blue and removed the haze from the smoke. my angle on this wasn’t exactly perfect, but i don’t think i would have brought up a lot more of the trees in the foreground if i had dropped to one knee. as well, the sun disappears rather quickly this time of the year, and i didn’t have time to go running across the field to get more of the trees in the foreground. i’m hoping that a future version can be derived that will highlight the trees and make a nice progressive triptych with other versions. i released it anyway, because….well, i like it.

you’re welcome to read the release announcement. terribly exciting stuff, i know. it was also added to my portfolios.com portfolio.

things to ponder on this Monday a.m.

#1 Son turns 13 on December 20th. We’re sitting together at the breakfast table the other day, and I’m reading this letter to the Spouse Unit written by this guy who happened to be around at a certain car dealership the day she decided to purchase her car, and who has apparently believed himself to be God’s Gift to Carbuyers for roughly the last two years. Anyway, it’s a one-page handwritten letter (very thoughtful and personal, of course), that in four sentences contains more spelling and grammatical errors than typically exist in one semester of assignments in a second-grade classroom. So, I read it over, hand it to #1 Son, and ask, “Okay, kiddo. What’s wrong with this letter?”

He reads through it, chuckling several times, thinks for a moment, then answers, “He didn’t have someone else type it for him so he wouldn’t look so stupid.”

Deadpan.

Yep, the boy annoys me sometimes, as all kids occasionally do, but Gawd I love ‘im.


this looks like a screwed-up photograph, but it isn’t. although i will admit it was difficult to keep the wind off the camera during the thirty seconds it took to take this photo at night. i don’t get to do as much late-night photography as i’d like (and i’ll readily admit that Nikon DSLR’s aren’t really the best tools for dark shots), but the color here is completely unretouched, taken at ISO 800, f/5.6, 30″ in the light of a nearly full moon. the camera is pointing roughly west, about 2.5 hours after sunset. even that long after sunset, there is still a noticeable gradient to the light falloff. i just kinda thought that was neat. sadly, the rest of that night shoot was pretty poopy, because i had to use longer lenses and the wind was such that it was impossible to keep them from shaking over such a long period. this one and a couple of others are all that are going to make it.

late night at Curtis' farm



well, i guess that’s about it today. best be shoving off to work, work, work!

and now for something slightly different

(and since i’m tied here running photoshop batches for another hour or so….)

forgiven

in the palm of my hand
lies the crystal shield
of compassion
it glimmers and glows
with a light of its own
caught recklessly
between the lights
of two worlds
it satiates the primal urge
to run and fly away

what nought but this
that seeks suppression
what further drawn
alleviates the burn

come closer now
and the thought shall linger
chill mansions rose
where no one dwelled
before

~ December 18, 1992

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

recalescence

those days . . . .
vitality and strength
and the will to continue on
how much else then rectifies
the waste of an eternity
so many days now long forgotten
unattended in the graveyards
of my mind
some shadowless subdivision
of the thoughtless reclamation
of the emotion of a starry night
. . . so long now passed
that like eternity reconciles
the pasted glimmer
of a thousand stars
that fade like water pours
from between my fingers

i would live again
if only in this allowance
could the tokens be recalled
i am paled by the significance of others
their flows surround me
their auras imprison me
and without escape
i must sequester myself
behind the walls of solace

silence is a form of compassion
have i lost myself
or is this glowing spark of regeneration
only now coming before my eyes
i would be dead without these things
but alive
sometimes they stifle me

and those days . . . .
once remembered
. . . remind that i have grown
into what i do not know
but in this
i find i flow again
with the will to live

~December 3, 1992

on marriage and betrothal

my next-to-the-last wedding of the year is today. i’ve got a BAD sore throat. thus far in my career, i’ve managed not to have to work a wedding sick, so this will be first for me.

but i thought of this because of what my daughter said about staying away from guys right now and not getting married EVER. i SO felt the same way about women from time to time. several times, even. but in fact, i met the Spouse Unit just three weeks after i had TOTALLY given up on women. our meeting was completely unexpected, and our getting together was more than a surprise. so every time i shoot a wedding, i’m reminded of all the things that were pouring through my head ‘back then’ (positive and negative), and i’m still somewhat amazed that people actually want to get married, despite being happily married myself.

i was engaged three times in my life. sometimes when i look back, the acts of engagement were almost more significant than the acts of marriage that i’ve partaken in. they were emotional promissory notes that seemed to me to have more significant as a promise held in trust as opposed to the exercising of that trust. and if it weren’t for the exercising of Will, which is what a marriage ceremony is about, one of those earlier promises would still have been in effect.

which is not to belittle marriage in any way. there is something grand and inspirational about any marriage, as two people commit before witnesses to join their lives together, even when that joining is only a formality. i normally allow myself to get somewhat caught up in those emotions while i’m capturing wedding scenes, but with the way i feel today, i believe i’ll be more of an impartial observer. perhaps i’ll see some things today that alter my perception of this process.

regardless, every wedding i serve reminds me of my own wedding to the Spouse Unit and as such, during every wedding i serve, i silently renew my vows to her. it’s the least i can do, i suppose, since the weddings are part of what keeps me from spending more time with her and our children.

this is becoming habitual

of bluer skies and rain

and then like rain these fetters fall and crash upon the floor

windows on a world and pictures moving sway and tumble
come to me and sweet surrounded water-torn love me
sing to me your songs of love and unity and peace and joy
and i shall sing to you and cling forever like the dawn’s sun rising warm

when winter comes and covers me in cold and blanket screaming
warm me with your heart and soul and spirit and your strength
and like these cracking windows melt and break the chains that bind me

~ Abilene, Texas; September 1988
~ © 1988, 2003

aura

Aura © 2004, 2005 Dawnne Gee

I took the base photograph to this early the morning of October 31, 2004: our first Halloween out here. While I did later edit this quite a bit, the orange glow in the background was fairly natural. There had been a heavy fog that night, which froze, and as the sun started coming up and the rime started subliming, there was a cold, heavy mist in the air. As my first time in such weather, even in my late thirties, I found it incredible. I’m sure a couple of my neighbors thought I must be crazy to be out in the cold air, photographing frozen weeds, but oh well.

I’m using this to also show you a new plugin I found. I’m also using over on synthaetica.com for the fine art galleries. There are several others out there like it, but the code for this one is phenomenally brief and loads with almost no lag. It’s called Shutter Reloaded, and the cool thing is that it should be overriding even the old image links that popped the old shadowmoon image preview utility.

{of course, now i’m experiencing something with this plugin that didn’t happen at synthaetica.com. click into this post so that it sits alone on a page, and the plugin is working just fine. unfortunately, with the post just being read from the home page, it’s not working right. bah. i suppose it’s not that big of a deal right now, though, and i have other things to work on.}

By request

after i posted that last bit of ancient hieroglyphics, a friend wondered if i had more published elsewhere. i did self-publish a collection of 333 poems back in 1993 (yes, 333, because i’m only half evil, and because that number was exactly 1/3 of what i started with). i haven’t made an assessment in these later days as to my editing skills at the time, but theoretically, the sabre, as i titled that collection, represented what i felt were my “best” works. and occasionally, when i read back through them, i am not displeased. although quite often, i am so far removed now from those sentiments and the emotions which brought them into being, that it seems like i’m reading the works of someone else. especially the really long ones.

anyway, i’m contemplating making this a weekly “feature”, but i want to keep it relevant to current events, if at all possible. so, to kick off your monday’s “fix of dawnne”, here is something i wrote on my birthday 1990 while in Saudi Arabia during Operation Desert Shield.

windless

The wind shuffles its feet like an old man waiting to die,
. . . and in the passing of an hour,
I came to know the emptiness of that moment.
And still, only one thing remains truly clear:
I shall remember you . . .
. . . and your memory shall light my way
like the peace of the forgetfulness of slumber.
And now the wind lies on its back like a young man already dead,
. . . and like I never thought it could,
it burns me with a coldness that leaves me void of words.
So, I say this one thing with all the fear that I have:
“Goodbye.” —
for I know not what, in truth, it means,
or what it promises . . .
. . . to then become.

~ near An’-Nu’Ayriyah, Saudi Arabia, November 2, 1990
Copyright © 1990, 1993

i haven’t done this in a while….

i have no doubt that at least a few of you will get where this came from long before you get to the end of it. it’s really kind of odd to look back on the things i wrote ‘so long’ ago. i had a tendency in my writings back then to waver between the literal and the surreal. and i pretty much steadfastly refused back then to say anything straightforward.

~~~~~~~

Into the face of a thousand endless screamings . . . .
(Like never before this silence had a name),
for all in its own self-righteousness
seems as if in silence only breaks the spell —
imprisoned by the words this hunger imparts . . .
and like forever, dawning on a sea of rust,
it is shaped by naught but silence
(the silence of a dream),

and then it dawns with a light brighter than solace —
shining through a glistening veil
of the tears the maiden sheds alone . . .
(and her daughter suckling at her breast
was once more to me than any view of heaven
could ever hope to dare become),

and the child knows nothing of it —
at least, so I pray.

Into the face of a presence that once I let surround me,
and out of a darkness I have yet to comprehend . . . .
And yet to be forced to live with the gnawing realization
that everything I have loved so well, I must do without . . . .

It is a different lifetime
(but one that must certainly be lived with understanding),
and the hope to live but once again without the fear.

Again, like diamonds glitter and the killing of a dream —
a forfeit of tomorrow and the wonder of eternity —
and it screams before this effervescent window,
and softly, it turns about itself,
waving as it drifts towards the door —
(a holiness that comprehends no indecision),
and like the calm before the storm,
it is the passion of eternity and the silent world below.

~“Into the face of the nemesis”, October 23, 1989